NEW PERSPECTIVES ON URBAN PHOTOGRAPHY
Digital Photographer|Issue 257
Discover unique perspectives in unfamiliar cities with Sergio Castiglione’s artistic take on urban spaces
Kim Bunermann
NEW PERSPECTIVES ON URBAN PHOTOGRAPHY

What skills have you developed to adapt quickly to new environments?

Ever since I got my degree as an architect, more than 30 years ago, I have not stopped travelling. Partly it was for pleasure or vacation and, at other times, it was for work or studies. With that experience, I have developed the ability to easily adapt to the idiosyncrasies and the way of life in each city I visit. From Oslo, Marrakesh and Cape Town to Venice, Rio de Janeiro, Dubai or Istanbul, upon arrival in the city, I try to find the spirit and energy that guides it. The most exciting part about my job is searching for the ‘soul’ of each city. Not only what makes interesting images, but also its smells and its street sounds.

How do you explore new concepts in photography?

I work as an archaeologist of time – studying the moments of the day and valuing them as aesthetic elements that could lead to a refinement of the power of observation. I start with the idea that a city cannot be fully seen if it is separated from the passage of time. In my project called ‘segMOments: Effigies of Time’, I proposed a reflection on the city and the current ways of contemplating it. This is a contemporary portrait of the city that does not show a static profile, but that acquires dynamism and allows us to see a different picture from second to second.

This story is from the Issue 257 edition of Digital Photographer.

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This story is from the Issue 257 edition of Digital Photographer.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

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