Guitar maestro Joe Satriani has been making strange beautiful music for well over four decades and counting. Given his penchant for exploring the very concept of space itself and all of its dimensions, it should come as no surprise that Satch has wholly embraced the concept of having his music mixed in Dolby Atmos (now available on Apple Music).
Recently, Satriani and I got on Zoom to discuss just how cosmically cool his benchmark October 1987 instrumental album from its Atmos mix, and how the overall mixing and mastering processes differ in the modern Atmos age. (A longer version of this interview appears in my monthly Spatial Audio File column on the S&V site.)
Mike Mettler: Tell me about your first experiences with Atmos.
This story is from the April - May 2023 edition of Sound & Vision.
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This story is from the April - May 2023 edition of Sound & Vision.
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The Big Clean
Chances are you probably do not think about the state of your electronic devices too often. Oh, you might think about all the upgrades you would like to make; where you would put those new tower speakers, or how a second or third subwoofer would really tame those bass modes in your room, or how much more cinematic a larger screen would be. Sure, you think about that part of your system. But how often do you think about the well-being of your system?
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