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I was a slow starter with digital because of my early take on CD sound: It was emotionally drained with grumbling distortions in the bass and an off-timbre midrange, crowned by a thin, artificial treble, and penetrated by an eerie, unnatural silence whenever the musicians stopped playing. I thought cassettes had higher fidelity and that CDs would be a passing fad, but I kept browsing CDs at Tower Records, and the itch to buy some was getting pretty strong.
One of my friends said, "Maybe it's not the conversion principle that's to blame but something else, like an imperfect CD player?" That interesting thought had not occurred to me, and it obviously occurred to lots of engineers, because they are still trying to improve the quality of CD playback by adjusting the mechanism.
My friend's thought prompted me to ask my engineer pal, a short-tempered wizard named Dick, what CD player he used. He responded in his best gruff know-it-all voice, "These new CD players are shit! Don't buy one until they make one where the transport mechanism floats!" When I asked if anybody made one that floated, he said that he used a portable, battery-powered Optimus CD player from Radio Shack, and that its transport mechanism floated, and that it sounded better than any audiophile deck.
Dick "knew things," so I believed him.' When I got to Radio Shack and saw the player he recommended, I laughed at its plastic-toy flying-saucer style. It looked the opposite of serious, but a closer inspection and a quick listen with its included headphones suggested there might be some good engineering hidden beneath its UFO casework. The more I examined the Optimus, the more it seemed perfect for my workbench, my bike, and my car. It cost around a hundred bucks, so I bought one and kept it as my only CD player until 1993, when I capitulated and bought my first nonportable CD player: a TEAC VRDS-10.
This story is from the September 2024 edition of Stereophile.
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This story is from the September 2024 edition of Stereophile.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
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The Beatles in Mono according to Kevin
It's almost too easy to make Dave Dexter Jr. the villain in the story of the Beatles' fumbled introduction to America.
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Stromtank S-4000 ProPower MK-II XT
COMPUTER-CONTROLLED BATTERY POWER SOURCE
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Aurorasound HFSA-01
INTEGRATED AMPLIFIER
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Transforming the music
One of my favorite things about this pastime is the modesty of its aims.
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Lou Donaldson
Years ago, at one of the milestone NYC anniversary parties for Blue Note Records, a piercing voice burst out above the clinking glasses and chattering tongues, loudly declaiming (quoted here with several profanities omitted), \"Blue Note never gave me a dime!\"
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EMM Labs DA2i
Among the many reasons to be grateful for audio shows,' one stands out: They allow me to set reasonable expectations of what components and whole audio systems can or cannot achieve. They have helped me set standards.
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POLICED
THAT'S PRETTY ODIOUS,\" ANDY SUMMERS SAYS TO ME. \"AN ODIOUS COMPARISON.\" HIS BLUEISH EYES DARKEN. ROUGHLY AN HOUR INTO OUR 90-MINUTE FACE-TO-FACE INTERVIEW, I'D ASKED IF IT BOTHERS HIM THAT IN TERMS OF REACH AND STAYING POWER, HIS SOLO OEUVRE WILL NEVER MATCH HIS WORK WITH THE POLICE.
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Focal Diva Utopia
WIRELESS STREAMING ACTIVE LOUDSPEAKER SYSTEM
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An ultrasonic bargain
The first album I ever bought with my own money-cash earned mowing neighbors' lawns-was a British plum-label pressing of Led Zeppelin II.
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MoFi Electronics Source Point 888
A recent high point in my career as a reviewer was writing about the MoFi Electronics SourcePoint 10 standmount loudspeaker for the February 2023 issue of Stereophile.'