FEW INTERIOR DESIGNERS working today enjoy as much name recognition as Kelly Wearstler. Even for those who can't tell a sconce from a suspender, the South Carolina native's sumptuous Slow Cal-inflected aesthetic is easy to spot, thanks to its surprise-and-delight intermixing of color, texture, and materiality along with an unwavering sense of place. Who else would think to pair, for instance, a vivid Mexican folk art mural with pink-and-white checkerboard tile floors (the Downtown L.A. Proper hotel) or burnished brass countertops with emerald-green cabinetry (Cameron Diaz's Greenwich Village pad)?
This story is from the September - October 2023 edition of Condé Nast Traveler US.
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This story is from the September - October 2023 edition of Condé Nast Traveler US.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
The Slow Road - Rather than rush from Tokyo to Kyoto by train, as most visitors to Japan do, Tom Vanderbilt chose to bike - coasting down country roads, spying snow monkeys, and refueling with hearty bowls of soba
Rather than rush from Tokyo to Kyoto by train, as most visitors to Japan do, Tom Vanderbilt chose to bike - coasting down country roads, spying snow monkeys, and refueling with hearty bowls of soba. At the peak of the day's heat, I pulled into the tiny hamlet of Hirase, in Japan's Gifu Prefecture. I'd just climbed a twisting, waterfall-lined road several thousand feet through Hakusan National Park before descending into the shimmering fantasy landscape of Shirakawa-go, an almost Tolkien-esque village (and UNESCO World Heritage Site) comprising centuries-old farmhouses with peaked thatch roofs.
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