JENNY WHITE chats to the Wiltshire-based artist ahead of a major career retrospective to find out how he brings his portrait paintings to life
Royals, celebrities, judges, clergymen, leading academics and fellow artists – the latest monograph of David Cobley’s artwork, All By Myself, is a compendium of faces, each one a vivid, powerful presence. Portraits are not the only thing the Wiltshirebased artist paints, but it has been a staple part of his work throughout his career and remains so today.
It’s clear that each painting is far more than a snapshot. Portrait painting is an intimate process, one in which the sitter often opens up about their life and thoughts – and David’s paintings reflect his knack for striking up a rapport with his subjects. “People have always fascinated me, the way we think and behave and so on, and that’s one of the reasons I took up portrait painting,” he says. “I’m quite a shy person and, looking back, being with someone and talking used to be something I found quite difficult, but chatting and drawing gave me a way in – and I could chat more comfortably because I had something to do; it meant I didn’t feel as self-conscious. Painting portraits gave me a way of meeting and talking with people, finding out more about them and what made them tick.
“I want to spend time with my subjects to find out what gets them up in the morning, what motivates them. I’ve had some amazing conversations with some amazing people,” he says, with past sitters including HRH The Princess Royal, the late comedian Ken Dodd OBE and ground-breaking stem cell researcher Sir Martin Evans.
Bu hikaye Artists & Illustrators dergisinin September 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Artists & Illustrators dergisinin September 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration