Nature has long been a source of creative stimulation for British artists and writers. The close observation of animals, birds and insects that can be found close to home in hedgerows and woodlands has been a vital part of our artistic expression. One of the earliest accounts of natural history was made in the late 18th century by a middle-aged country parson at the time of extraordinary world events, including the French Revolution and the American Wars of Independence. It sounds so unlikely and yet it was to be one of the most enduring and influential records of natural life, inspiring numerous artists over the intervening years.
It was put together by the Reverend Gilbert White, who was born in 1720 and lived in the Hampshire village of Selborne, on the edge of the South Downs. White recorded his observations about the nature on his doorstep in a series of letters first published in 1789 as The Natural History and Antiquities of Selborne. The book was an immediate success and has never been out of print since: with more than 300 editions, it is supposedly the fourth most-published text in English, after the Bible, the works of Shakespeare and John Bunyan’s The Pilgrim’s Progress.
Bu hikaye Artists & Illustrators dergisinin Summer 2020 sayısından alınmıştır.
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Bu hikaye Artists & Illustrators dergisinin Summer 2020 sayısından alınmıştır.
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration