Comparison, they say, is the thief of joy. But not so for two painters whose similarities and differences will hang side-by-side in the form of a two-man show. Benjamin Hope and Andrew Roberts, both landscape artists who work with oil paint, realised the potential for a successful joint exhibition when they were part of a much larger group show last year.
The forthcoming exhibition, Common Ground in London’s Gallery Different, will feature around 70 paintings of places from all over the world, including London, Cornwall, Spain, and Canada. However, when asked what else people can expect from the exhibition, Andrew is mysterious. “I don’t really know what it’ll be like, myself,” he says. “That’s why I’m doing the show: I want to see what it’ll look like.”
“We both use colour in a punchy way to accentuate and inject an element of drama,” he continues, noting that the similarities are not what makes their dynamic interesting. “It is in the differences that our own voices are seen, the differing ways that we create art.”
The Sussex-based artist’s work is all rich impasto surfaces, dynamic glazing techniques and romantic, opulent palettes. He paints wide-open spaces in his studio, based on the memory of a place he has visited, abstracting the shapes as he works. These works have featured in the ING Discerning Eye, the Royal Academy Summer Exhibition and a string of solo and group shows.
Bu hikaye Artists & Illustrators dergisinin November 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Artists & Illustrators dergisinin November 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration