Natural Flow
BluPrint|Volume 3 2019

Jakarta-based studio Nataneka Arsitek embraces natural movement within a crisp, modernist package

Patrick Kasingsing
Natural Flow

Sukendro“Kendro” Priyoso and Jeffry Sandy, principals of Indonesian architecture studio Nataneka Arsitek, are not fans of the color white. Looking at the studio portfolio and visiting two of their projects makes this clear. “I’ve gotten a lot of feedback about how my projects tend to be dark in color and texture. It is both personal preference and an effect of our studio’s practice to often leave the materials we use unpainted and natural,” Priyoso says.

This tactile character of Nataneka houses is no more evident than in Courtyard House in West Jakarta, whose dark, quiet presence recedes with a six-meter setback from a street of sundry two-story houses. Immediately apparent from outside is the dialogue between the materials and extruded forms at play in the house’s front façade and gate. A quilt of plaster, concrete, wood, glass and steel textures, resembling a Piet Mondrian painting, in the form of walls, louvers, openings, and overhangs, break down what would have otherwise been a hulking elevation. Further softening and shielding the 12-meter-high façade is a frangipani tree planted on a raised plinth. The house appears to be inward-looking and reclusive with just a handful of window openings upfront, that is, until one steps in and notices the void at its core.

Bu hikaye BluPrint dergisinin Volume 3 2019 sayısından alınmıştır.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

Bu hikaye BluPrint dergisinin Volume 3 2019 sayısından alınmıştır.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

BLUPRINT DERGISINDEN DAHA FAZLA HIKAYETümünü görüntüle
Windows Over Windows
BluPrint

Windows Over Windows

It’s what you do when you’re a green-loving architect like Formzero’s Cherng Yih Lee, and your client isn’t interested in the forest outside

time-read
5 dak  |
Volume 4 2019
The Office Of New Life Stories
BluPrint

The Office Of New Life Stories

D-Associates Architect’s office building in Jakarta is just how principals Gregorius Yolodi and Maria Rosantina want it— green, creative, and nurturing—just as they want their team to be

time-read
5 dak  |
Volume 4 2019
Stark Beauty
BluPrint

Stark Beauty

When you’ve got great bones designed by Park + Associates, the structure should be the architecture

time-read
4 dak  |
Volume 4 2019
Sunday's Best
BluPrint

Sunday's Best

Willis Kusuma’s multi-functional Mister Sunday elevates the Jakarta café scene with the timelessness and formal honesty of concrete

time-read
4 dak  |
Volume 4 2019
Brut Force
BluPrint

Brut Force

Raw concrete is experiencing a renaissance, but how compatible is it with tropical weather? Jakarta-based architect and frequent concrete user Willis Kusuma responds

time-read
6 dak  |
Volume 4 2019
Workaholics Finish First
BluPrint

Workaholics Finish First

Bangkok’s Architectural Studio of Work-Aholic (ASWA) takes their first stab at WAF and counts on the power of spatial storytelling to take home the prize

time-read
3 dak  |
Special Issue 2
People Obssessed With Design
BluPrint

People Obssessed With Design

Park + Associates: Crafting architecture with good bones and spaces that resonate with individuals

time-read
5 dak  |
Special Issue 2
Firm Follows Feeling
BluPrint

Firm Follows Feeling

Bangkok-based landscape architecture firm P Landscape emphasizes the human experience and feeling through contemporary integration of art, culture, and ecology

time-read
5 dak  |
Special Issue 2
Tried and Tested
BluPrint

Tried and Tested

WAF and INSIDE multi-awardee Hypothesis’ researchintensive approach produces complete design solutions that are anything but formulaic

time-read
2 dak  |
Special Issue 2
Crew's Control
BluPrint

Crew's Control

Young Thai studio Creative Crews finds a worldwide audience for three very different projects: a rural homestay, a classroom for the blind, and their own office, all indicative of the practice’s adaptive design solutions

time-read
5 dak  |
Special Issue 2