The three brothers all attended St. Louis public schools, and every summer the family rented a cabin in the Ozark Mountains, where the boys developed a life-long love of fishing and camping.
In June of 1911, after having completed his junior year at a St. Louis high school, Warren Baumgartner quit school and entered the workforce as a staff artist at a lithographic shop that produced newspaper advertising.
On June 19, 1915, Warren Baumgartner (age 21) married Sophia Haverkamp (age 18). She was born March 10, 1897, in St. Louis, and lived at 223 West Stein Street. She had left her schooling after completing the eighth grade. Her father was Frank Haverkamp (b. 1859), and her mother was Sophia Kendel (b. 1860). Both of her parents were German immigrants. Her father worked as an unskilled laborer.
After their wedding, the newlyweds left St. Louis and moved to Chicago where they lived at a lodging house at 4601 Michigan Avenue. Warren Baumgartner worked for the Lord & Thomas Advertising Agency in the Mallers Building on the southeast corner of Madison Street and Wabash Avenue.
In 1917, during the Great War, Warren Baumgartner (age 23) joined the navy. His draft registration card described him as tall, slender, with brown eyes and black hair.
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Bu hikaye Illustration dergisinin Illustration No. 66 sayısından alınmıştır.
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THE ART OF PAUL BRANSOM
Paul Bransom (1885-1979) was widely known as the Dean of American Animal Artists. His work appeared on the covers of magazines like The Saturday Evening Post and served as illustrations of short stories in periodicals and in books. He provided the illustrations for some 45 books, most notably the 1912 edition of Jack London’s Call of the Wild and the 1913 edition of Kenneth Grahame’s The Wind in the Willows.
THE ART OF FRANK MCCARTHY
Witnessing a Wild West show as a young boy was a crucial early influence that led Frank McCarthy to become a distinguished painter of Western historical themes. The excitement and emotion he felt that day stayed with him, and can be seen in the vivid action, color, and splendor that emanate from his paintings.
THE ART OF WARD BRACKETT
Ward Brackett (April 2, 1914–December 14, 2006) was a gifted American illustrator, known for his work in paperback books and periodicals such as Reader’s Digest and Cosmopolitan.
THE ART OF N.C. WYETH
For over 25 years, N.C. Wyeth was regarded as the foremost illustrator of books and magazines in the United States. His artwork for iconic tales of romance and adventure has become synonymous with the stories themselves, familiar to multiple generations of readers. Some of the best-known characters in literature have become nearly indistinguishable from the images he produced.
THE ART OF CHARLES LASALLE
\"We have some artists in the family.\" I didn't know it at the time, but my future father-in-law Aiden E. LaSalle was a master of understatement.
THE ART OF PRUETT CARTER
Pruett Carter was once recognized as one of America's top illustrators, during a time when illustrations were viewed primarily as easel paintings
THE ART OF RAYMOND JOHNSON
Raymond Sven (Ray) Johnson was a commercial illustrator who created iconic paperback book covers spanning all genres of fiction for Avon, Popular Library, Monarch and other publishers from the late 1940s through the early 1960s.
"Blow some my way"
THE DELINEATION OF DESIRE IN 1920s COMMERCIAL ILLUSTRATION
THE ART OF FRITZ WILLIS
Fritz Willis was born in Oklahoma in 1907, and raised in Boston.
THE ART OF WILLIAM OBERHARDT
Illustrator William Oberhardt (1882-1958) was born in Guttenberg, New Jersey, 1882.
