WORKac
Metropolis Magazine|January 2017

With ties to building and academia, the New York firm is forging a new kind of architectural practice.

David Huber
WORKac
As if I needed better evidence that change was afoot at WORKac, the architecture firm led by Amale Andraos and Dan Wood, a stack of Sheetrock and a semi-demolished brick wall greet me as I enter their office, mid-renovation, on Manhattan’s Lower East Side one morning in October. Since 2014, when Andraos became dean of Columbia University’s Graduate School of Architecture, Planning and Preservation (GSAPP), a hyperactive institution with global satellites, the firm has had to adjust to new pressures. “We had a tough time the first year,” admits Wood, over an intermittent chorus of drills, saws, and Shop-Vacs.

But now that Andraos has settled into her job uptown, the office has embarked upon what he describes as “a really experimental period.” A book documenting nearly 15 years of practice is due out this fall. And major projects, such as a new public library in Queens, are nearing completion. Having ascended to the highest ranks of academia and demonstrated that their office is capable of winning significant commissions while they are still in their 40s, Andraos and Wood find themselves in an enviable predicament.With the experience and reputation they’ve amassed, they must determine how to proceed.

“When we started the practice, we didn’t know what we wanted to do, and we were really about working,” says Wood. “But I think we realized very quickly in teaching that it’s a way to escape the day-to-day pressure of everyone demanding that you make decisions. Teaching is really just reacting to other people’s decisions. You set things in motion and you kind of watch them go.”

Andraos, more measured than Wood, strikes a philosophical tone: “I aspire to foster a school where everyone is in a kind of passionate state. Otherwise, what’s the point?”

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