Dominic Green gives us a preview of an exhibition about to open at the Getty Center in Los Angeles that shows us how the ancient world was viewed through medieval eyes.
Lecturing at Hamburg University in the winter of 1927, the art historian Aby Warburg concluded his reflections on the Nachleben der Antike, the ‘afterlife of Antiquity’, with an image from the modern age of telegraphy and radio. He characterised Jacob Burckhardt and Friedrich Nietzsche, the rationalist historian and the wayward philosopher, as ‘receivers of mnemonic waves’. Both, Warburg said, had been ‘sensitive seismographs’, receptive to images from ‘the region of the past’.
At the time, Warburg was working on his Bilderatlas, or Picture Atlas. He wanted to map the bewegtes Leben, the ‘life in motion’ of images, from Antiquity to Christianity, and thence to the threshold of the technological present, the Italian Renaissance and 17th-century science. By the time of his death in 1929, Warburg had assembled 63 complete sets of images, 17 incomplete sets that were still in progress, and some 1300 images; he may have planned as many as 200 wooden panels on which the images would be pinned.
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Bu hikaye Minerva dergisinin January/February 2017 sayısından alınmıştır.
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ROMAN DISCOVERIES AT ANCIENT AUGUSTODUNUM
More than 230 graves have been uncovered at a necropolis in the French city of Autun, revealing a diverse mix in burial practices over a period of nearly 200 years, as well as luxury grave goods from the 3rd and 4th centuries AD that highlight the wealth of some of its ancient inhabitants.
SHAPING THE WORLD: SCULPTURE FROM PREHISTORY TO NOW
The sculptor Antony Gormley and the art historian and critic Martin Gayford have been talking about sculpture with each other for 20 years.
Amelia Edwards (1831-1892)
“I am essentially a worker, and a hard worker, and this I have been since my early girlhood.”
THE GREAT BEYOND
The ancient Greeks thought much about the dead – how their remains should be disposed of, how their spirits might be summoned, how malignant they could be if unavenged. Classicist David Stuttard brings us face to face with the Greek dead.
INTO THE VALLEY OF THE QUEENS
The Great Royal Wife of Ramesses II, Nefertari, was buried in one of the most spectacular tombs of Egypt’s Valley of the Queens. Well-educated and well-travelled, Nefertari played a crucial part in the political life of the pharaoh, and her importance was reflected through her magnificently decorated tomb. Lucia Marchini speaks to Jennifer Casler Price to find out more.
DEIR EL-BAHRI, 1894
Tensions were already high among the archaeologists, surveyors, and artists of the Archaeological Survey of Egypt in 1891 when an eventful dispute arose on Christmas Eve.
PUSHING BOUNDARIES
When the Etruscans expanded to the south and the vast plains of Campania, they found a land of cultural connections and confrontations, as luxurious grave goods found across the region reveal. An exhibition at the National Archaeological Museum in Naples sheds light on these ancient Italians at the frontier. Paolo Giulierini, director of the museum, is our guide.
CUZCO 'CENTRE AND HEAD OF ALL THE LAND'
Cuzco was the heart of the vast Inca empire, but all changed in the 16th century when the capital was conquered by Spanish invaders. Michael J Schreffler investigates the Inca city, and how it went from the centre of one empire to the periphery of another.
A STUDY IN PURPLE
A tiny speck of purple paint from the 2nd century AD may yield clues to how ancient artists created the extraordinary portrait panels that accompanied mummified bodies into the afterlife.
Rome In The 8th Century: A History In Art
John Osborne CAMBRIDGE UNIVERSITY PRESS, £75 HARDBACK - ISBN 978-1108834582