The Biological Imperative
The Indian Quarterly|October - December 2017

Shougat Dasgupta reflects on the politics of parenthood. And loving your children

Shougat Dasgupta
The Biological Imperative
WHEN I WAS GOING TO become a father, being prone to self-aggrandisement, I thought of Philip Larkin’s famous lines. “They fuck you up, your mum and dad”, he wrote in “This Be the Verse”, allowing that our mums and dads had had the same done to them by their parents, “Who half the time were soppy-stern / And half at one another’s throats.” Man, Larkin concludes in a final verse that combines profound pessimism with demotic jokiness, “hands on misery to man / It deepens like a coastal shelf. / Get out as early as you can, / And don't have any kids yourself."

Soppy-stern and half at one another's throats described my parents. But I didn’t feel their marriage—strange and dysfunctional as it appears to me now (even in middle age, a childish censoriousness marks my judgements about my parents’ normal lives, their normal mistakes)—had much effect on me. I didn’t feel they had much effect on me. My mother will tell a different story. And my father isn’t around to defend himself. But I don't remember being “parented” so much as being left to get on with it myself. Were values and family histories passed down at the dinner table? Not that I remember. Were there any meaningful or revelatory chats with either mater or pater? Not that I remember. Did they take much interest in what I was interested in or did I care much what they did or thought? Not that I remember.

Bu hikaye The Indian Quarterly dergisinin October - December 2017 sayısından alınmıştır.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

Bu hikaye The Indian Quarterly dergisinin October - December 2017 sayısından alınmıştır.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

THE INDIAN QUARTERLY DERGISINDEN DAHA FAZLA HIKAYETümünü görüntüle
The Image-Maker
The Indian Quarterly

The Image-Maker

Sukumar Ray’s most vivid images were saved for his classics of nonsense verse, but his singular eye, writes Nabarupa Bhattacharjee, found its earliest expression in photography

time-read
8 dak  |
April - June 2020
The Nawab's Last Sigh
The Indian Quarterly

The Nawab's Last Sigh

Rudely awakened by the fact of independent India, an aristocrat in Meerut clung to his past. Now, he tells Sunaina Kumar, all he has left are his memories of a glorious age.

time-read
10 dak  |
April - June 2020
The Guest
The Indian Quarterly

The Guest

Vaiyavan is the nom de plume of MSP Murugesan. Born in 1936, he did sundry jobs before obtaining postgraduate degrees by correspondence and then served as an English and Tamil teacher till his retirement in 1996. His writing career began in 1956. Multifaceted and prolific, he has to his credit a long list of short story collections, novels, plays, literary essays, poems and children’s stories. He has won several awards including Tamil Nadu government awards for best book on culture (1982) and best science book (1992) and the Malcolm Adiseshiah award for active participation in neo-literacy activities (1996). In his short stories and novels, Vaiyavan revels in a zest for life. Humaneness is the hallmark of his work, as the pain and pleasure, trials and tribulations of people in different rungs of society are described in minute detail. —CGR

time-read
10+ dak  |
April - June 2020
The Birth of an Anthem
The Indian Quarterly

The Birth of an Anthem

From right-wing slogan to moving patriotic song and now back to Hindu nationalistic war cry. Rimli Sengupta on the evolution of Vande Mataram

time-read
10+ dak  |
April - June 2020
The Birth of a Parent
The Indian Quarterly

The Birth of a Parent

The beginning of a new life can create other strange new lives, reflects Manidipa Mandal

time-read
10+ dak  |
April - June 2020
The Unknown Soldier
The Indian Quarterly

The Unknown Soldier

One man wondered and worried about his disappeared brother all his life.His granddaughter continued the search. Preksha Sharma resurrects a man and his story

time-read
10+ dak  |
April - June 2020
The Art Scene
The Indian Quarterly

The Art Scene

For the new kid on the block, it certainly has pedigree. The Centre for Con-temporary Art, housed within Delhi’s Bikaner House complex, finally opened its portals to welcome art aficionados during this year’s edition of the India Art Fair. Nature Morte was invited to stage the centre’s much-awaited inaugural show, an opportunity the gallery found too irresistible to pass up. The ambitious exhibition it mounted, The Idea of the Acrobat, occupied both floors of the recently renovated building and brought together the works of a dozen well known artists in a multitude of media. The line-up included Bharti Kher, Atul Dodiya, Dayanita Singh, Shilpa Gupta, Ayesha Singh, Khyentse Norbu and LN Tallur to name but a few.

time-read
3 dak  |
April - June 2020
Long, Long Ago
The Indian Quarterly

Long, Long Ago

Arundhuti Dasgupta and Utkarsh Patel recount obscure creation myths from around the world, many echoing each other

time-read
10+ dak  |
April - June 2020
Family Business
The Indian Quarterly

Family Business

AT THE DINDUKKAL BUS DEPOT, the abortionist pushed her way through the crowd thronging the bus and finally managed to board it. She placed her travel bag beside her on the seat, calling out to her niece to hurry up. The young woman renewed her efforts to break free of the tangle of limbs and claim the seat reserved for her.

time-read
10+ dak  |
April - June 2020
A Goan Childhood
The Indian Quarterly

A Goan Childhood

Fragments of memory of a time long gone, from a life lived far away. By Selma Carvalho

time-read
9 dak  |
April - June 2020