Keep Hate Alive

Provocative poster art isn’t just for hippies and Occupy Wall Street folks anymore. The alt-right is finally getting into graphics in hopes of persuading the world to see things its way.

- Abigail Jones

YOU’VE SEEN HER—the woman in the red-and-white polka-dot bandana and rumpled blue shirt, flexing her bicep and clenching her fist beneath the slogan “We Can Do It!” Maybe it was Beyoncé posing in that 2014 Instagram photo or Marge Simpson on the cover of Utne Reader in 2011. Or Pink in the music video for “Raise Your Glass,” her 2010 pop anthem. The origins of the “We Can Do It!” poster, however, go back to World War II, when it sold patriotism to American women taking up historically male factory jobs to support the war effort. Since then, the poster has become one of the most iconic feminist images in the world.

“Rosie the Riveter,” as she’s also known (a nod to a 1943 Saturday Evening Post cover by Norman Rockwell of a burly redhead on her lunch break, a rivet gun in her lap and a crumpled copy of Mein Kampf, Adolf Hitler’s manifesto, wedged under her feet), has graced Hillary Clinton campaign T-shirts, Sarah Palin posters and postage stamps. In early February, two weeks after 3 million to 4 million people joined Women’s March events around the country, The New Yorker put a young, black “Rosie” on the cover, wearing a pink pussy hat instead of a bandana. Rosie has her own national park, a celebrity following and so many mugs, magnets and other doodads that a 2000 Washington Post article named her the “most overexposed” souvenir in the Washington, D.C., market.