The Stack

The life-changing magic of a disorganized pile of books.

- Kathryn Schulz

When I was a child, the grownup books in my house were arranged according to two principles. One of these, which governed the downstairs books, was instituted by my mother, and involved achieving a remarkable harmony—one that anyone who has ever tried to organize a home library would envy—among thematic, alphabetic, and aesthetic demands. The other, which governed the upstairs books, was instituted by my father, and was based on the conviction that it is very nice to have everything you’ve recently read near at hand, in case you get the urge to consult any of it again; and also that it is a pain in the neck to put those books away, especially when the shelves on which they belong are so exquisitely organized that returning one to its appropriate slot requires not only a card catalogue but a crowbar.

It was this pair of convictions that led to the development of the Stack. I can’t remember it in its early days, because in its early days it wasn’t memorable. I suppose back then it was just a modest little pile of stray books, the kind that many readers have lying around in the living room or next to the bed. But by the time I was in my early teens it was the case— and seemed by then to have always been the case—that my parents’ bedroom was home to the Mt. Kilimanjaro of books. Or perhaps more aptly the Mt. St. Helens of books, since it seemed possible that at any moment some subterranean shift in it might cause a cataclysm.