10 Krishna.K, AKR – “Butterflies”
CHENNAI SINGER-SONGWRITER Krishna.K and composer-producer Anniroodh Kumararaja aka AKR’s first collaboration together “Butterflies” provides that (still) much-needed escapism with a breezy, old-school pop arrangement. Anchored in Krishna’s saccharine croons for the most part, he starts off with the lines: “A thousand butterflies could fly us away on a chariot of gold through the mystic galaxy.” AKR’s swirling keyboard sections add to the airy nature of a simple yet charming song, one that strengthens Krishna’s vocal style. – ANURAG TAGAT
9 Albatross – “The Neptune Murders”
IF ANY METAL BAND in India can lay claim on being genius storytellers, it’s Mumbai heavy metallers Albatross. Straight from the mind of bassist and lyricist Dr. Hex aka Riju Dasgupta, their single “The Neptune Murders” squared polished, resounding rhythms with vocalist Biprorshee Das’ signature snarl and operatic treatment. The tale of a serial killer who’s not only got a fetish for cheeks but also enchanted by the Roman texts of the sea god Neptune unfolds with severity, matching the crushing melodic force distinctive to Albatross for more than a decade now. — A.T.
8 Adrian D’souza, Neuman Pinto – “Never Let it Go”
Bu hikaye RollingStone India dergisinin January 2022 sayısından alınmıştır.
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Bu hikaye RollingStone India dergisinin January 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
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