AMOL PARASHAR PORTRAYING A LAIDBACK AND nonchalant DJ Chitvan Sharma in TVF Tripling is a state of mind we could all do well to adapt, especially right now.
But there are chances you might have missed him in his first ever Bollywood cameo, back in 2009’s Rocket Singh as Ranbir Kapoor’s friend Sai. Still a regular face on OTT and web series, Parashar has steadily played to his quintessential boy-next-door image and most recently gone on to make his Netflix debut in Alankrita Shrivastava’s Dolly Kitty Aur Woh Chamakte Sitare. He essayed the role of a delivery personnel and Dolly’s (Konkona Sen Sharma) love interest, showing his wide spectrum as an actor. In an otherwise gritty and grey world of Srivastava, Osman’s character is as pure as the driven snow.
In an interview with Rolling Stone India, Parashar opens up about his career trajectory, learnings and his childhood. Excerpts:
How was your experience working for Dolly Kitty Aur Woh Chamakte Sitare alongside Konkona and being directed by Alankrita Shrivastava? Was it different from the previous work you have been doing?
Bu hikaye RollingStone India dergisinin January 2021 sayısından alınmıştır.
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Bu hikaye RollingStone India dergisinin January 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
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