French auteur Olivier Assayas on Personal Shopper, his Parisian supernatural shocker…
When is a ghost story not a conventional genre movie? Maybe when it’s Olivier Assayas’s Personal Shopper. Set in Paris, Kristen Stewart’s Maureen speeds around the city collecting designer outfits for her starlet boss Kyra. But in her spare time? A part-time medium still suffering from the death of her twin brother, she haunts old buildings waiting for a sign from her sibling.
“This film is a character study,” says Assayas, who started the project after his Chicago crime thriller Idol’s Eye collapsed one day before shooting. Yet the director admits “genre is key” when it came to creating specific textures relating to Maureen, “to her anxieties, to her fears, to her loneliness or the violence of whatever she’s going through.”
Bu hikaye SFX dergisinin April 2017 sayısından alınmıştır.
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Bu hikaye SFX dergisinin April 2017 sayısından alınmıştır.
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ANCER MAHAGEMENT
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THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
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UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS