HOW WANTS to live forever?” the great Freddie Mercury once sang. Who indeed? For some, the dream of eternal life is the ultimate trophy, but think about it: yes, you may be able to one day jet off to work in a flying car, chew on a Sunday roast food pill or finish Marcel Proust’s Remembrance Of Things Past, but is it really worth seeing everyone you’ve ever loved grow old and eventually croak before your ever-youthful eyes?
That’s the sadness behind the action of Netflix’s new SF flick The Old Guard, in which a band of ageless mercenaries, headed up by the tired-of-life and centuries-old Andy (Charlize Theron), are pursued by a ruthless pharmaceutical honcho who plans to replicate and sell the group’s death-defying powers.
Immortals are a heavyweight presence in the world of SF, from Marvel’s Eternals to the elves of Middle-earth, but usually, it’s all about them being serene and god-like and impossibly wise. What few books or movies ever seem to explore is the built-in tragedy of a life spent without death as its inevitable end.
“I had this idea for this woman – I knew she was a woman – who was just so incomprehensibly old and was also so incomprehensibly sad as a result,” says comic book writer Greg Rucka, who debuted The Old Guard via Image Comics in 2017. “I knew she was old because she couldn’t die, and I knew she was sad because she couldn’t die, but everybody else had.”
Rucka’s initial thoughts for the story were, somewhat amazingly given the melancholic nature of the eventual comic book, more akin to a Looney Tunes cartoon.
Bu hikaye SFX dergisinin August 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye SFX dergisinin August 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS