FOR NATASHA ROMANOFF (AKA BLACK Widow), finally getting her solo cinematic day in the sun has been a long time coming. The character, as played by Scarlett Johansson, was first introduced 11 years ago in Iron Man 2 and went on to become a primary player in six more Marvel Cinematic Universe films (including all four Avengers installments). For pretty much that entire time, audiences were asking for Romanoff’s own showcase movie that might shed some light on the enigmatic, Russian-trained spy/assassin who gets the job done without the benefit of superpowers.
A Black Widow movie became a reality by 2018, with a first-pass script in hand and a very broad search for the studio’s first solo female director to helm it. At San Diego Comic Con in July 2019, Marvel Studios President Kevin Feige formally announced Johansson, director Cate Shortland, and a supporting cast including Florence Pugh, Rachel Weisz and David Harbour, along with a 1 May 2020 release date that would formally open Phase 4 of the MCU.
Then Covid-19 happened, and MCU releases ground to a halt for the first time in a decade. By then, Romanoff had already experienced her very real demise in Avengers: Endgame and this prequel story set post-Avengers: Civil War began to feel ever tardier in terms of the pop culture zeitgeist as it was bumped to November 2020 and then May 2021, finally receiving a firm global release commitment of July 2021.
Bu hikaye SFX dergisinin July 2021 sayısından alınmıştır.
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Bu hikaye SFX dergisinin July 2021 sayısından alınmıştır.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS