School’s Out In Stranger Things 3… Richard Edwards Heads Down To Hawkins’ New Mall To Find Out How The 1985-set Season Is Shaping Up
IT’S ONE OF THOSE INDISPUTABLE FACTS of life that summers when you were a kid were way better than they are now. Halcyon days when you had no worries about getting up for school or work in the morning, those endless evenings with nothing more pressing to do than hang out with your mates, talking about absolutely nothing – nobody would have dreamed of complaining about the weather being too hot. And if you grew up in the States you can probably ratchet up that nostalgia factor by a few notches, seeing as those summer months are unlikely to have been ruined by quite so many mediocre “rainy day” activities.
So for Stranger Things, a precision-engineered nostalgia delivery mechanism in the form of an ’80s-set sci-fi drama, the fact that the upcoming third season is leaving the show’s traditional autumnal haunts behind to bring summer to Hawkins, Indiana, should see the deification of the good old days turned up to, well, Eleven.
“We always knew we wanted to set season three in the summer,” says Stranger Things executive producer and occasional director Shawn Levy, gamely talking to SFX on the phone as he boards a flight. “We wanted the fun and the kind of unique freedom that summers in the mid-’80s seemed to have. [This setting] brings the freedom that comes from not being in school, and that means summer camps, cookouts, barbecues and the swimming pool. It’s just a different ethos, and it allows season three to really start from a fairly fun, light-hearted place before it eventually devolves into far darker plotlines and threats.”
TIME AFTER TIME
Bu hikaye SFX dergisinin Summer 2019 sayısından alınmıştır.
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Bu hikaye SFX dergisinin Summer 2019 sayısından alınmıştır.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS