THE UPCOMING NINE-EPISODE miniseries The Stand arrives feeling eerily relevant. Based on Stephen King’s sprawling 1978 novel of the same name, this epic tale takes place in a landscape ravaged by a mysterious virus that has wiped out 99% of the planet’s population. Production commenced on 19 September 2019 in Vancouver and wrapped early in March 2020, just before the Covid-19 outbreak caused everything and everyone to lock down. As the number of infected people continues to skyrocket, showrunner Benjamin Cavell admits that the pandemic could affect the audience’s viewing experience.
“Obviously, we’ve wondered about that,” Cavell tells SFX. “The answer is it’s impossible to predict. But for me, The Stand is not really about a pandemic. The pandemic is the mechanism by which the world gets emptied out and our characters find themselves as the only people left. They come together for this existential struggle between good and evil for what’s left and who gets to rebuild.
The hope is that you are able to make this thing our own, which I think we have done
“It’s also why we’ve chosen to tell the story in a non-linear way,” he adds. “Unlike the book, unlike the original 1994 miniseries, we are not going completely in chronological order and making people sit through episode after episode of the world dying. That’s not what we are doing. It’s this story that comes after all that. As Stephen King has said, this is his attempt to do The Lord Of The Rings in the United States.”
Bu hikaye SFX dergisinin Holiday Special 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye SFX dergisinin Holiday Special 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS