THE TEAM BEHIND THE Mortal Kombat reboot had only one condition: they must be allowed to show a guy ripping the heart out of another guy’s chest. “We wanted to push the [blood, gore and fatalities] right to the limit,” says director Simon McQuoid. “Obviously, there’s a point where the film becomes unreleasable if you push it too far, and that would be a very unwise return on investment for the studio, but from day one it’s been, ‘Okay, we’re doing this and we’re going to do it properly’.”
“It was the very first thing I asked the studio,” agrees producer Todd Garner. “I said ‘Is this going to be R-rated?’ and they said, ‘There’s no other way’. And that was that. That was the first thing they agreed to when I signed on. Because you know, it’s in the title! It’s not Guy Who Got Kinda Bruised Kombat. This is Mortal Kombat!”
FINISH HIM!
Released first in arcades in 1992 and then on home consoles in 1993, Mortal Kombat was once considered one of the most controversial video games ever made. Like Street Fighter, it was a 2D fighting game set against the backdrop of a fantastical martial arts tournament. Unlike Street Fighter, though, it caused media outrage thanks to its penchant for absurdly ultraviolent finishing moves called fatalities, in which a player could – among many other things – tear another player’s head off, their spinal cord still attached.
Bu hikaye SFX dergisinin April 2021 sayısından alınmıştır.
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Bu hikaye SFX dergisinin April 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS