In the totalitarian classic 1984, one of the ways in which the existing system exerts control over its citizens is by eliminating undesirable words from the dictionary. The logic: You can’t express yourself or your ideals properly when you don’t have something as fundamental as the vocabulary with which to articulate them.
A scenario in which people are not equipped to address painful topics is a familiar one in not-so-long-ago days when mental health disorders were perceived as something shameful, to be covered up or carelessly dismissed with variations of “you’ll get over it”. Even in the so-called liberal world of fashion, it’s an ongoing problem – this even though the list of its geniuses who suffer from depression and succumb to suicide keeps on growing (the latest being the heavily lauded modernist couturier Josephus Thimister, who died last November at age 57).
Despite having her most decorated and successful year in 2019, model Adut Akech wrote on Instagram that it was the “worst year” for “Adut the human, not Adut the model” due to her depressive disorder. As omnipresent and unstoppable as he might seem, Virgil Abloh had to famously take three months off from the business – including missing his own Spring/Summer 2020 Off-White show last September – because his doctor had said his schedule was getting too much for his health.
In fashion, the main outlet for dealing with the industry’s madness seems to be, quite simply, to bow out – temporarily or otherwise; no further discussion. (And don’t forget to do so with a great dress and big smile on your face.)
Bu hikaye Female Singapore dergisinin April 2020 sayısından alınmıştır.
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Bu hikaye Female Singapore dergisinin April 2020 sayısından alınmıştır.
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GOOD VIBES
EVERY YEAR, CHANEL PICKS A PLACE ON THE WORLD MAP NOT ONLY TO INSPIRE, BUT ALSO TO SHOWCASE ITS ANNUAL CRUISE COLLECTION (IT’S A TRADITION THAT’S ROOTED IN THE MAISON’S EARLY YEARS WHEN COCO CHANEL PRESENTED A LINE OUTSIDE OF THE USUAL FASHION CALENDAR TO INCITE WANDERLUST FOR TOASTIER, MORE PICTURE-PERFECT CLIMES DURING THE WINTER MONTHS). THE LATEST DESTINATION: VIBRANT MARSEILLE – THE FRENCH CITY THAT RECEIVES THE MOST SUNSHINE; HOME TO AN ECLECTIC REPERTOIRE OF CULTURAL INSTITUTIONS AND LANDMARKS; AND A MAGNET FOR EMERGING CREATIVES WITH ITS MIX OF GRIT AND GLAMOUR, LAND AND SEA, AND YOUTHFUL BOHEMIAN ENERGY. THE RESULTS? A COLLECTION THAT MAKES US WANT TO LET LOOSE AND DANCE. NOELLE LOH REPORTS FROM THE PHOCAEAN CITY.
THE PARTY EDIT
Club-appropriate hits from the Resort 2025 collections
THE VIPS
SOME OF THE 17 PEOPLE SPOTLIGHTED ACROSS THE NEXT 26 PAGES HAVE BEEN IN THE NIGHTLIFE BUSINESS WAY BEFORE THE COVID-19 PANDEMIC DECADES EVEN. OTHERS LESS, BUT HAVE BEEN FOR MUCH OF THEIR LIVES DEEP INTO MUSIC, VIBING IT OUT ON DANCE FLOORS AND MAKING SURE EVERYONE AROUND HAS A HELLUVA GOOD TIME. THEIR ENDEAVOURS RANGE FROM A MODEST NEIGHBOURHOOD BAR TO CONGLOMERATE-BACKED, MULTI-CONCEPT SPACES AND A MULTIFARIOUS NETWORK OF POP-UP PARTIES, ALL OF WHICH HAVE BEEN MAKING AN EXTRA-LOUD SPLASH IN THE PAST YEAR. WHAT ELSE THEY ALL HAVE IN COMMON: THEY'RE RETHINKING AND RESHAPING PARTY CULTURE FOR THE FUTURE - OR, TO PARAPHRASE CHARLI XCX, THEY'RE BUMPIN' IT. KENG YANG SHUEN AND NOELLE LOH PUT THE CAMERA FLASH ON.
THE NIGHTS
ROUGHLY TWO YEARS ON SINCE THE COVID-19 PANDEMIC, FOLKS FROM ALL WALKS OF LIFE ARE STILL TAKING IT UPON THEMSELVES TO THROW THEIR OWN INDEPENDENT PARTIES WITH MORE EXPERIMENTAL SOUNDS, AND MORE INTENTIONAL AND INCLUSIVE EXPERIENCES THAT INJECT A ROUSING UNDERGROUND ENERGY TO SINGAPORE NIGHTLIFE. KENG YANG SHUEN TURNS THE SPOTLIGHT ON FOUR OF THE NEWEST ORGANISERS ON THE SCENE AND TELLS YOU WHY YOU SHOULD HIT THEIR PARTIES.
THE SOUNDS
THEY'RE ALL UNDER 30, MOSTLY SELF-TAUGHT AND EMERGED PROFESSIONALLY ONLY AFTER THE COVID-19 PANDEMIC. MOST DON'T EVEN HAVE A REGULAR GIG (YOU'D HAVE TO CHECK THEIR INSTAGRAM ACCOUNTS TO FIND OUT WHEN NEXT THEY'LL BE PERFORMING), BUT DON'T YOU DARE CALL THEM BEDROOM DJS. KENG YANG SHUEN SPOTLIGHTS SEVEN EMERGING SINGAPORE-BASED MUSIC SELECTORS AND MIX MASTERS WHO'VE BEEN TEARING UP DANCE FLOORS IN THE PAST YEAR AND SHOULD BE TAKEN VERY SERIOUSLY.
SHE CALLS THE SHOTS
SINCE THE 2000S, RIHANNA HAS BEEN MAKING DANCE FLOORS WORK, WORK, WORK WITH HER INFECTIOUS ELECTRONIC AND R&B-INFLECTED POP HITS. FOR ANOTHER SIDE TO HER \"QUEEN OF THE NIGHT\" PERSONA, THERE'S HER ROLE AS THE LATEST FACE OF DIOR'S J'ADORE PERFUME AND ITS ACCOMPANYING CAMPAIGN FILM. SHOT BY HER LONG-TIME FRIEND STEVEN KLEIN, IT FEATURES THE BARBADIAN BADDIE STRIDING THROUGH THE GILDED HALLS OF THE PALACE OF VERSAILLES DRIPPING IN GOLD. HERE, SHE SHARES MORE ABOUT HOW THE FAMOUSLY FEMININE FRAGRANCE EMBODIES CELEBRATION.
A Not So Common Scent
For the first time, the singular house of Hermes has launched a chypre perfume fragrance type known for its complexity and dualistic nature a that comes in a first-of-its-kind bottle, no less. Keng Yang Shuen finds out more about Barenia, Hermes's latest scent that hit stores recently, from the brand's in-house perfumer Christine Nagel.
Strange Love
The six names in this story create wildly different works that tend to blur the boundaries among disparate disciplines. All have little in common except one thing: a certain wondrousness and sense of curiosity that inspire audiences to look at familiar things anew. Keng Yang Shuen reports.
The artist
Johnny Depp is certainly far from the conventional leading man: the iconically quirky on-screen roles, the rock musician persona (he was a guitarist before becoming an actor), the unexpected neoexpressionist portraits in 2022 (these paintings of cultural heroes ranging from AI Pacino to Elizabeth Taylor sold out in a day), and of course the title of being Dior's long-standing poster boy for its wilderness-inspired flagship men's perfume Sauvage for nine years and counting.
spirited away
Collaborations with the art world have become a trusted way of injecting novelty into fashion.
