Mexicos Mario Garca Torres explores the strange sideroads and deadends of art history
In September 1969, the American magazine ArtNews published a cryptic feature about a young, overlooked artist named Oscar Neuestern. It described the rare amnesic condition he suffered, which prevented him from remembering his work from any previous day, and so opening his practice to perpetual reinvention.
‘Why was I telling you this story?’ asks Mario García Torres, frowning, as if his own memory was suddenly failing him. The Mexican artist is gearing up for his first US survey at Minneapolis’ Walker Art Center. It features some 35 works – old and new – spanning video, photography, installation and performance. ‘I’m happy not remembering things,’ he concludes. ‘Without memory, you can experience things in a different way,’ he says, a nod to Marcel Duchamp’s claim that he desired to live without memory.
As it turned out, Oscar Neuestern was a product of fiction – a satirical swipe at early conceptualism. García Torres stumbled across the article by chance at CalArts’ Library in Los Angeles, where he studied in the early 2000s. And it had a profound effect. ‘I started to realise what the power of fiction was,’ says the artist, now 43. Soon, he would turn the anecdote into art: The Transparencies of the Non-act (2007), a silent visual work made of black and white slides, questioning the role of artists in the building of history.
Bu hikaye Wallpaper dergisinin November 2018 sayısından alınmıştır.
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Bu hikaye Wallpaper dergisinin November 2018 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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Guiding Light - Designer Joe Armitage follows his grandfather's footsteps in India, reissuing his elegant midcentury lamp and creating a new chandelier for Nilufar Gallery
For some of us, family inheritances I tend to be burdensome, taking up space, emotionally and physically, in both our minds and attics. For the London-based designer and architect Joe Armitage, however, a family heirloom has taken him somewhere lighter and brighter, across generations and continents, and into the path of Le Corbusier. This is the story of a lamp designed by Edward Armitage in India 72 years ago, which has today been expanded into a collection of lights by his grandson Joe.
POLE POSITION
A compact Melbourne house with a small footprint is big on efficiency and experimentation
URBAN OASIS
At an art-filled Mexico City residence, New York designer Giancarlo Valle has put his own spin on the country's traditional craft heritage
WARM FRONT
Designer Clive Lonstein elevates his carefully curated Manhattan home with rich textures and fabrics
BALCONY SCENE
A Brazilian island hotel offers a unique approach to the alfresco experience
ENSEMBLE CAST
How architect Anne Holtrop is leaving his mark on the Middle East
Survival mode
A new show looks at preparing for a post-apocalyptic landscape (and other catastrophes)
FLASK FORCE
A limited-edition perfume collaboration between two Spanish craft masters says it with flowers
BLOOM SERVICE
A flower-shaped brutalist beauty in Geneva gets a refresh
SECOND NATURE
A remodelled museum in Lisbon, by Kengo Kuma & Associates, meshes Japanese and Portuguese influences to create a space that sits in harmony with its surroundings