Joyce Hopwood-Knight lives at Kyneton, Victoria – a historic country town near Bendigo. She cares full-time for her elderly mother. Previously she farmed at Broadford in Victoria, breeding thoroughbred horses and cattle.
Only a short time ago, purely by chance, Joyce met local artist Ray Ellis and was invited to view his studio. She was amazed at the quality of his work. He informed her that he conducted a working studio, and taught a number of local students at weekends.
Prior to this, Joyce had never had any formal training of any sort in the arts. She decided there and then that she would take advantage of the opportunity, and become a student.
“I guess that was the start of a wonderful adventure for me!” she says.
“I became totally engrossed with painting and embraced every aspect of my tuition, to the point where I found that painting only at weekends was not enough, and I wanted more personal attention to my training. I approached my tutor and inquired whether I could do more, and eventually he took me on as a fulltime student – which allowed me to spend much more time in the studio.”
Ray Ellis is a traditionalist landscape artist who has painted for many years. He has taught this talented lady the basics of painting – such as composition, tonal application, perspective and the application of colour; and helped her to develop the ability to view her subjects with a specific artistic approach.
Bu hikaye Artists Palette dergisinin No 167 sayısından alınmıştır.
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Bu hikaye Artists Palette dergisinin No 167 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Eye of Observation
Draw, draw, and draw some more; develop your artist’s eye of observation. Sterling advice from a lady who believes that seeing shapes in paintings requires a truly ‘arty’ eye.
Pelicans To Portraits
This lady has painted everything from pelicans to portraits. She has completed commissions including cats, dogs, horses, possums, numerous beach scenes … and even a Scottish piper.
Gregory John Brennan: Lost Profession
Looking back on his early career as a bulldozer driver, this rural New South Wales painter laments the days when he was too young to appreciate his outstanding potential as an artist.
Pastels: Once We Were Important
A simplified and well named painting tells a powerful and interesting story. This clever pastel artist is delighted to share her techniques for the benefit of others.
Fibre Art
This artist feels that the hardest lesson she had to learn was to believe in herself … and once she did that, everything started to fall into place and her confidence grew.
Water Lily Magic
Instead of paper and paint, this artist uses fabric and threads … and she uses a sewing machine instead of a brush. The textures, colours and prints of fabrics thrown together with threads fascinate her, and often give inspiration for her designs.
Loading Wheat – 1920s
It is rare to see an artist displaying this level of skill and understanding in capturing the activity and atmosphere of bygone days from Australia’s agricultural history.
‘Jama' – King Cheetah
This exquisitely talented lady believes that every artist has failures … but it is important to remember that every success is better than the one before.
Blahuta's Ute
Early in the year we ran a feature about ‘Utes in the Paddock’ – a landmark project by several notable artists. In this article, one of those artists shares his story and some of his views … and describes the process of creating his own piece of an amazing collaborative work.
Artists' Easels
Many important tools are employed by artists in creating their paintings. Artists’ easels are now available in a host of styles and configurations to enhance the creative process. Some of your favourite art materials suppliers are more than pleased to highlight a selection of the many products being offered.
