Liz McCann (formerly Liz Chatburn) received a Bachelor Degree of Visual Arts from Uni-SA Underdale in 1998. In 1994, she graduated with a Diploma in Applied and Visual Arts from North Adelaide School of Arts.
Liz’s work has slowly evolved over the last five years and she is currently exploring, in a rather analytical way, the highly charged impact that sibling relationships had during her early and pre-adolescent years.
It was a time when a life of innocence and naivety prevailed. With wide-eyed wonder she embraced the world around her. Profoundly strong emotional family connections with her two younger sisters and brother meant she and they were never far apart.
Both her parents, Paolo and Marianna Giannotta, were Italians from Putignano Bari in Italy; and Elizabeth (named after her grandmother Elizabetta) was born in Kyneton (a rural town in Victoria).
At 15 months old, Elizabeth, with her mother, father and new baby sister Angelina, moved to Queensland. They initially lived in the Glass House Mountains region near Caboolture where her other sister Mary-Angela and brother Vito Nicola were born. They lived in an isolated farmhouse growing pineapples and bananas. After four years, and with four children aged under five, the family moved to Dohles Rocks near the Pine River on Queensland’s iconic Sunshine Coast – where her parents managed and worked a 96 acre pineapple, banana and watermelon plantation.
Bu hikaye Artists Palette dergisinin No 167 sayısından alınmıştır.
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Bu hikaye Artists Palette dergisinin No 167 sayısından alınmıştır.
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Eye of Observation
Draw, draw, and draw some more; develop your artist’s eye of observation. Sterling advice from a lady who believes that seeing shapes in paintings requires a truly ‘arty’ eye.
Pelicans To Portraits
This lady has painted everything from pelicans to portraits. She has completed commissions including cats, dogs, horses, possums, numerous beach scenes … and even a Scottish piper.
Gregory John Brennan: Lost Profession
Looking back on his early career as a bulldozer driver, this rural New South Wales painter laments the days when he was too young to appreciate his outstanding potential as an artist.
Pastels: Once We Were Important
A simplified and well named painting tells a powerful and interesting story. This clever pastel artist is delighted to share her techniques for the benefit of others.
Fibre Art
This artist feels that the hardest lesson she had to learn was to believe in herself … and once she did that, everything started to fall into place and her confidence grew.
Water Lily Magic
Instead of paper and paint, this artist uses fabric and threads … and she uses a sewing machine instead of a brush. The textures, colours and prints of fabrics thrown together with threads fascinate her, and often give inspiration for her designs.
Loading Wheat – 1920s
It is rare to see an artist displaying this level of skill and understanding in capturing the activity and atmosphere of bygone days from Australia’s agricultural history.
‘Jama' – King Cheetah
This exquisitely talented lady believes that every artist has failures … but it is important to remember that every success is better than the one before.
Blahuta's Ute
Early in the year we ran a feature about ‘Utes in the Paddock’ – a landmark project by several notable artists. In this article, one of those artists shares his story and some of his views … and describes the process of creating his own piece of an amazing collaborative work.
Artists' Easels
Many important tools are employed by artists in creating their paintings. Artists’ easels are now available in a host of styles and configurations to enhance the creative process. Some of your favourite art materials suppliers are more than pleased to highlight a selection of the many products being offered.
