Designer Rich Nelson on his iconic Shakespeare posters
IT STARTS TALKING back. It will tell you, ‘That’s the wrong color—don’t put that color on me!’ or ‘That’s the wrong font.’”
That artistic call-and-response, however, comes late in the process. When Rich Nelson, a senior designer for Kiku Obata & Co., first starts to work on his posters for Shakespeare Festival St. Louis—he’s done all 18—he doesn’t put anything on paper. He reads the play. He reads SparkNotes. He talks to the director. “I’m processing it on a conceptual level,” he says.
Bu hikaye DesignSTL dergisinin May/June 2018 sayısından alınmıştır.
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Bu hikaye DesignSTL dergisinin May/June 2018 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
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How a little log cabin went from being a home to a guest house
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With the help of interior designer Robert Idol, a Kirkwood couple creates a home that pays homage to the past, yet feels just right for their modern young family.
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New shops and showrooms bring exciting opportunities for local designers, makers, and arts organizations to sell their wares to home enthusiasts here and everywhere.
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Painter and gardener Lauren Knight branches out.
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Letters, icons, and illustrations that speak in a hand-drawn language
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Audra Noyes, of the Saint Louis Fashion Fund Incubator’s first class, opens an atelier in Ladue.