There’s something in the New Zealand art world’s water at the moment. Maybe it was the centenary of Colin McCahon’s birth in 2019 that kickstarted it, but the steady stream of exhibitions looking to the past to help us understand our contemporary moment is continuing.
At New Plymouth’s Govett-Brewster Art Gallery, the Berlin-based 2018 Walters prize-winner Ruth Buchanan (see p.152) is presenting one of her most ambitious exhibitions to date. Buchanan has long been fascinated with the politics of collecting in museums – particularly in terms of how women are represented, and the role archives play in constructing and preserving cultural memory.
Bu hikaye HOME dergisinin February 2020 sayısından alınmıştır.
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Bu hikaye HOME dergisinin February 2020 sayısından alınmıştır.
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The Past Is Present
In exhibitions at public galleries around the country, artists reflect on our collective, individual and cultural histories.
Why I Walk Carl Douglas
How the experience of walking reveals our world to us and informs our sense of our place in it.
My Favourite Building Chlöe Swarbrick
Built on Auckland’s Karangahape Road in the 1920s, St Kevin’s Arcade has served as vocational inspiration and a meeting place for the Green MP since she was a teenager.
Humble Special
PAC Studio designs a home on a tiny budget in the bush above the Kaipara Harbour.
Modern Love
Assembly Architects draws on lightweight Californian modernism to craftan elegant mountain retreat.
Family Tree
On a leafy site in the Waikato, Tane Cox crafts a subtle home for three generations
LOW PROFILE
Sometimes, strict covenants can be a blessing in disguise.
Fine Line
A house in a vineyard by Stuart Gardyne shows country living need not be rustic.
Elegant Shed
Ben Daly rehabilitates a farm building with a long family history on the Canterbury Plains.
Perfect Pitch
An encampment by an inlet casually inhabits land at Tawharanui.