BMAG: D, can you go first and talk about starting out as a writer and the challenges coming from outside the traditional white publishing networks? Did you have a mentor?
D. WATKINS: There weren’t people, writers in Baltimore, with whom I could connect, or directly learn from, until after I was already in it. You think about that because maybe your career could’ve started five years earlier if you knew somebody. In our industry, more people get published because of who they know, rather than their straight work. You know someone, boom. You don’t, you can send the best s--- out to magazines for years and it will just sit at the bottom of a stack.
DEVIN ALLEN: That’s how it was for me. I’d shoot stuff, shoot protests, send it out for free, just ask for a credit, and not even get a reply to an email. I did get a reply once from the City Paper, but nothing from The Sun. Not until I got the cover of Time, and then they wanted to interview me [for my Reginald F. Lewis Museum show]. At that point, I didn’t want anything to do with them, but the museum wanted me to do the interview. I did it, but not until they apologized.
KONDWANI FIDEL: After I graduated [from Virginia State University] in 2015, I traveled around the city doing spoken word and got a good response. I dropped this poem called “The Baltimore Bullet Train” with a video and it got like 20,000 views on YouTube. Then, I finished my first collection of poetry and my first book, and teachers started asking me to come to their classes. Everything grew from there. I teach now, perform, do workshops.
BMAG: You each spend a lot of time in public schools, making hundreds of visits. What do you hope to accomplish?
Bu hikaye Baltimore magazine dergisinin Game Changers sayısından alınmıştır.
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Bu hikaye Baltimore magazine dergisinin Game Changers sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
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At long last, plans are underway for a new “Home of the Preakness.”
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GAMECHANGER SANDRA GIBSON
Executive Director, SNF Parkway Theatre & Maryland Film Festival
FROM THE GROUND UP
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AFTER GLOW
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