The museum remains Soane’s most well known legacy, but this celebrated architect created another much less familiar building for himself that was previously home to his collections and invested with deep personal significance. So much so, indeed, that, in one lecture to the Royal Academy, he actually described its façade as a self-portrait (Fig 6). A restoration completed this spring brings it back to public attention once more, convincingly revived in many respects as its creator knew it.
As part of the process of writing his own history in 1833, Soane also published the wordily entitled Plans, elevations and perspective views of Pitzhanger Manorhouse and of the ruins of an edifice of Roman architecture… formerly the residence of the author of this work. To which is added memoirs of his family and his own professional life etc. in letters to a friend from 1802–32.
Bu hikaye Country Life UK dergisinin November 20, 2019 sayısından alınmıştır.
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Bu hikaye Country Life UK dergisinin November 20, 2019 sayısından alınmıştır.
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