HOUSES designed by architects for themselves and their families occupy a special place in the history of domestic architecture. They represent a particular canvas onto which an architect projects their ideas and personal dreams—Vanbrugh’s Goose-Pie House in Whitehall and his miniature castle at Greenwich are cases in point, or Sir John Soane’s Museum in Lincoln’s Inn Fields and Pitzhanger Manor in Ealing, west London. We may assume that such buildings are a full demonstration of their values, unrestrained by a client’s controlling hand: dream houses of a special and instructive kind.
Nithurst Farm, designed by Adam Richards and completed in February 2019, is, on one level, a beguilingly simple buff-brick structure sculpted into a deeply verdant setting between Blackdown and Petworth in West Sussex. At first, it seems almost an illusion, set down in a sloping, wedge-shaped field amid dense oak and beech woodland. On closer inspection, it reveals itself as a complex artistic endeavor, entirely contemporary and yet also subtly layered with forms that echo with ancient Rome, like a great gate or small fort; there is also a hint of a simple Tuscan villa. The architect himself cites the work of Vanbrugh—especially the hill-top castellar brick garden belvedere he designed from 1715 for the Duke of Newcastle’s house at Claremont House in Surrey (Fig 2).
Bu hikaye Country Life UK dergisinin August 05, 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Country Life UK dergisinin August 05, 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
