WALLED gardens have been given over to any number of uses from those originally intended. Some have been turned into rose gardens or beds for cut flowers, whereas others have ended up acting as sheep pens or horse paddocks. At Culham Court, where the 1771 red-brick villa designed by Sir William Chambers and Stiff Leadbetter, looks out on a gentle loop of the Thames between Hambleden and Hurley locks, the 18th-century walled garden has been transformed into what feels like a three-dimensional artwork. An evolving one at that, where the natural order of things— weather, other plants, the seasons—creates a picture that is always changing.
The walled garden was designed by Tom Stuart-Smith with a specific aim in mind: to provide privacy. This is because the Culham estate is crossed by public footpaths and the house, which sits on top of the rise from the river, is visible from the wide bowl of close-cropped parkland, where herds of white fallow deer graze below the chapel of Christ the Redeemer (COUNTRY LIFE, April 12, 2017).
The previous owners of Culham were living in the garden cottage with the walled garden as their only outdoor space, which is why its main area had been mainly laid to grass by the designer Dan Pearson, with a small earthwork and a few fruit trees. When Urs and Francesca Schwarzenbach moved into the house, they decided to change things around. ‘Francesca wanted somewhere private,’ recalls Mr Stuart-Smith, ‘so my idea was to make the walled garden feel immersive and separate and enclosed.’
Bu hikaye Country Life UK dergisinin May 18, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Country Life UK dergisinin May 18, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery