The honest answer is, probably, that nobody knows. However, the arrival on the scene of two notable properties—an early- Georgian gem in Wiltshire’s Chalke Valley and a restored 17th-century masterpiece near Chichester, West Sussex—may provide some clarity.
In 1947, following Broadway success and a new contract with film-maker Alexander Korda, the Society photographer, artist, stage and costume designer Cecil Beaton was looking to buy a house in the country. A friend, the writer Edith Olivier, introduced him to pretty, red-brick Reddish House in the village of Broad Chalke, eight miles from Salisbury. Instantly captivated, he readily agreed to buy it for £10,000. For the next 32 years, until his death in 1980, the house, described by Christopher Hussey as ‘an outstanding example of rustic Baroque’ (COUNTRY LIFE, March 21, 1957), was Beaton’s cherished country home, where he entertained his many friends from the worlds of the Arts, stage and screen. Among them was Greta Garbo, to whom he proposed marriage, inviting her to ‘build her nest’ here. The offer was politely declined.
Previously known as Littlecotes Farm, Reddish House was originally a farmhouse on lands given to Wilton Abbey by King Eadwig in 955 and transferred to Sir William Herbert after the Dissolution. From 1560, the manor farm was owned by the Reddish family of nearby Maiden Bradley, who sold it to a wealthy clothier, Jeremiah Cray, in 1696.
Bu hikaye Country Life UK dergisinin June 17, 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Country Life UK dergisinin June 17, 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
