It’s amazing what you can do with a torch and a piece of string in a darkened room!
Difficulty level: Intermediate
Time taken: One hour
Before we know it, the long, hot days of summer we’ve all enjoyed this year will be over and autumn will be upon us – dark evenings, dodgy weather and that familiar question all photographers ask themselves when it’s pouring with rain outside: “Okay, so what do I do now?”
Well, here’s one technique that will definitely help you while away a wet day and produce some amazing images at the same time – creating physiograms. Never heard of it? Don’t worry, most photographers haven’t. But once you try it, you’ll be hooked.
The idea behind this technique is that you suspend a small torch (you can buy them from £1 shops) on the end of a length of string in a darkened room directly over your camera. Set the torch spinning, then use a long exposure to record the patterns traced in the darkness by the torch bulb. The results are infinitely variable and you can make the patterns as simple or as complex as you like. The images are also much easier to create than they look, so what’s not to like?
Right
Painting with light This is the kind of result you can expect by spinning the torch several different ways and placing colour filters on your lens during a single exposure © Lee Frost
Shooting steps
1 Attach your string Tie a small pen torch to a length of string, then attach the other end to a light fitting on the ceiling in a room in your house so you can suspend the torch above ground. The length of the string isn’t crucial, but start with approx 1m and see how you get on.
Bu hikaye Digital Photographer dergisinin Issue 205 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Digital Photographer dergisinin Issue 205 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents