“All I do for work is to convince brands to stay true to what they believe in and connect with the public in a very sincere way,” Enrique shares.
Like many major world events—9/11, a reality-show star becoming president, the Rohingya refugee crisis, Covid—it is these sorts of grand incidents that one would be cast into an existential funk. For Enrique, he wonders if he should stop hiding who he is and what he does.
He is no stranger to taking on a nom de plume. His earlier endeavour was Dick Worldwide, where he took fashion accessories and turned them into phalluses. Dick Worldwide blew up when Hypebae reported on his project. He didn’t give a lot of information about himself. He specifically kept away from using pronouns that might give away his gender identity.
“I didn’t want to attach an identity to the project because it plays a role in what licences you have as an artist,” Enrique says. “I didn’t want it to be a celebration of masculinity. I chose penises because it’s the oldest form of mockery where there are graffiti of penises back in Renaissance times. If I said I was a woman in the Middle East, the public will see the work in an entirely new way.”
Bu hikaye Esquire Singapore dergisinin April 2022 sayısından alınmıştır.
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Bu hikaye Esquire Singapore dergisinin April 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
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