STRONGER TOGETHER

For the first time in 15 years, two of the country’s most powerful fashion platforms—Fashion Design Council of India (FDCI) in Delhi and Lakmé Fashion Week (LFW) in Mumbai—joined forces to host one phygital, seasonless edition that was streamed across social media channels. A prudent decision, many stated; one lauded for the collaborative efforts to preserve an industry impacted by the global pandemic. In a special conversation with Bazaar, Sunil Sethi and Jaspreet Chandok share their views on the historic decision and the future of Indian fashion...

Sunil Sethi, Chairman, FDCI

Harper’s Bazaar: Tell us about the decision to showcase a combined fashion week this season.

Sunil Sethi: The FDCI and Lakmé Fashion Week (LFW) have a relationship that goes back many years. We have always been institutions that believe in the potential of the Indian design fraternity, and have relentlessly worked towards nurturing and strengthening talent. Joining forces is an acknowledgment of the fact that over the past year, the design community has dealt with an unforeseeable impact on business. It was, therefore, imperative that we unite, for the greater good.

HB: Do you plan to continue this alliance in the future as well?

SS: This collaboration is a historic event, and we are evaluating the impact our partnership has had. One vision, however, remains—we will always work together to serve the best interest of the Indian fashion and design community.

HB: What was it like working with the Lakmé Fashion Week team?

SS: It has been such an enjoyable journey so far, one that was enriching for both teams. Our individual strengths, when put together, enabled us to provide a formidable and evolved experience.

HB: How has the past year impacted the Indian fashion fraternity?

SS: Fashion brands have learnt that value-for-money, versatility, and sustainability are crucial. Many have changed their ideology to include a wider base, by channelling diversity and inclusivity. There will now be a balance between aesthetics and practicality.

HB: What is the current, on-ground condition of the Indian craftspeople?