‘I’ve always worked with my hands,’ says the Florence Academy of Art trained figurative artist. ‘When my father, who is a surgeon, had a summer holiday I’d help him with projects such as building treehouses, so I’m comfortable thinking in three dimensions. Both my parents (her mother is a teacher) come home every day feeling pleased with what they do with their time, how they contribute to society. I used to wonder how I could do that with art. Now my driving force is to put sculptures into public places.’
‘In Florence there are rippling torsos, peachy buttocks and strong thighs everywhere’
Public works of art, Poppy continues, are time capsules of events, of ideologies, and therefore own an important place in society. Time spent watching how others interact with them in public spaces is, for her, both a source of fascination and inspiration.
‘Monuments are there if you want or need them, but they don’t demand anything,’ she says.
Bu hikaye Hertfordshire Life dergisinin May 2020 sayısından alınmıştır.
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Bu hikaye Hertfordshire Life dergisinin May 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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