New York magazine|July 25 - August 7, 2016

Dick Comes to Marfa On set with Transparent creator Jill Soloway’s adaptation of a seemingly unadaptable, sexually charged, really quite strange cult novel.

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IT'S A WARM DAY in early June on the Marfa, Texas, set of I Love Dick, Jill Soloway’s new pilot for Amazon, and Kevin Bacon, playing an enigmatic academic named Dick, and Kathryn Hahn, playing a failed filmmaker named Chris, are arguing, over dinner, about the quality of movies made by women. Or, more specifically, about the quality of the films that Chris is, or isn’t, making. Chris’s husband, Sylvère (Griffin Dunne), a cultural critic and Holocaust scholar, keeps his eyes on his rabbit. “It’s a question of desire,” Dick says, “not talent, or timing, or circumstance. Pure want. Which you don’t possess.” He continues, punctuating his mans plaining with a conclusion that might have made even Norman Mailer blush: “Most films made by women ultimately aren’t … that … good.” Shocked and wounded, Chris nonetheless stands her ground. “Women make good shit all the time,” she says. “Jane Champion. Chantal Akerman. Uh, Sally Potter.” With the cameras still rolling, Soloway, who has short salt-and-pepper hair and is wearing hot pink Nike high-tops, calmly issues direction: “You’re schooling, Kathryn. Educating. Not angry.” Hahn repeats the line, matching Bacon’s disdain with her own defensive hauteur. Soloway smiles.

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