In 1964, on the occasion of his 50th birthday, Icek Perel hosted two parties. The first, held on a Friday, was populated by friends from the neighborhood: working-class Belgians with whom he had formed a joyous, if circumstantial, alliance. Over beer, they told jokes in Flemish; his guests, who were also customers at the clothing shop he ran beneath his apartment, hardly knew he and his family were Jewish. The second party, held the next day, mimicked the first but was revived with a few crucial twists: The guests were all fellow Holocaust survivors, the punch lines were delivered in Yiddish, and the beer had been swapped out for vodka.
Icek and his wife, Sala, were the sole survivors of their respective families and met on the road to liberation before settling illegally as refugees in Antwerp. Their union was unlikely—she was born to aristocrats, he was functionally illiterate. As survivors, they were in a state of disbelief and started a family to prove to themselves they were still human. Their daughter, Esther, began working in the store as soon as she could speak. Her parents, she observed, were constantly shifting roles; depending on the time of day, they might speak to each other as colleagues or as a couple. Esther was their bridge and their best reader. Where others saw isolated traits, she recognized a grand narrative: of loss, of love, and of the strange and conflicting ways one’s identity can shift to accommodate its context.
Bu hikaye New York magazine dergisinin April 12-25, 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye New York magazine dergisinin April 12-25, 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten