Suzan-Lori Parks’s play seems friendly at first and gradually reveals its radicalism.
THE BRILLIANCE of Suzan-Lori Parks’s eviscerating new play, White Noise, is that underneath the finely crafted apparent realism of its surface, its roots stretch deep away into archetype. Each of its quartet of characters—all, at a glance, progressive, city-dwelling 30- somethings—is at once an individual, nuanced and developed, and (to steal a phrase from Tony Kushner) “a whole kind of person.” They stretch into symbol without losing their specific humanity, giving the play the civic heft and breadth of allegory. As White Noise hurtles toward its conclusion, pressure and terror expertly mounting, the stage world seems to constrict and expand simultaneously. We come down to two men, alone in a bowling alley, and to the country, 327 million people bound by a brutal history of liberty and justice for some, now at a moment of reckoning with a long-covered-over, bone-deep wound.
Bu hikaye New York magazine dergisinin April 1, 2019 sayısından alınmıştır.
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Bu hikaye New York magazine dergisinin April 1, 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
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