Olivia Hussey was 15 years old when Franco Zeffirelli cast her in his adaptation of Romeo and Juliet. She had been a working stage actor for a few years but was unknown in the world of film and had no agent or manager. Her parents had split up when she was 1, and she hadn't seen her father, an Argentine singer, since she was 7; her mother, a British secretary who worked three jobs, wasn't around on set. To make the film, Olivia, along with her co-star, Leonard Whiting, moved in with the director in his villa outside Rome. Hussey was in awe of Zeffirelli. "When he comes into the room and speaks, no one else says anything," she told a journalist at the time. "No one else can compete with anything he says, his ideas are so brilliant." Sometimes she called him "Daddy."
If he was a father figure, he wasn't a very nurturing one. His focus on her body was relentless. Before the shoot began, she was ordered to go to a doctor who prescribed her diet pills that made her ill. By the time the cameras were rolling, Olivia weighed 100 pounds and wasn't allowed to gain any weight. When she told Zeffirelli she was self-conscious about her chest and wasn't sure about wearing a low-cut dress, he gave her the nickname "Boobs O'Mina," which he would shout into a megaphone whenever he wanted her on set. She later reasoned he had humiliated her in order to break down her defenses. "Clever man," she wrote in her memoir. "By constantly calling attention to my body, he had drained away my embarrassment."
Bu hikaye New York magazine dergisinin September 25 - October 08, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye New York magazine dergisinin September 25 - October 08, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
LIFE AS A MILLENNIAL STAGE MOM
A journey into the CUTTHROAT and ADORABLE world of professional CHILD ACTORS.
THE NEXT DRUG EPIDEMIC IS BLUE RASPBERRY FLAVORED
When the Amor brothers started selling tanks of flavored nitrous oxide at their chain of head shops, they didn't realize their brand would become synonymous with the country's burgeoning addiction to gas.
Two Texans in Williamsburg
David Nuss and Sarah Martin-Nuss tried to decorate their house on their own— until they realized they needed help: Like, how do we not just go to Pottery Barn?”
ADRIEN BRODY FOUND THE PART
The Brutalist is the best, most personal work he's done since The Pianist.
Art, Basil
Manuela is a farm-to-table gallery for hungry collectors.
'Sometimes a Single Word Is Enough to Open a Door'
How George C. Wolfein collaboration with Audra McDonald-subtly, indelibly reimagined musical theater's most domineering stage mother.
Rolling the Dice on Bird Flu
Denial, resilience, déjà vu.
The Most Dangerous Game
Fifty years on, Dungeons & Dragons has only grown more popular. But it continues to be misunderstood.
88 MINUTES WITH...Andy Kim
The new senator from New Jersey has vowed to shake up the political Establishment, a difficult task in Trump's Washington.
Apex Stomps In
The $44.6 million mega-Stegosaurus goes on view (for a while) at the American Museum of Natural History.