THE CHAIR premieres August 20 on Netflix.
“THERE IS SOMETHING profound,” Sandra Oh says, “about moving into the mother stage of your career.” In The Chair, the actress plays Ji-Yoon Kim, the first woman and the first person of color to chair the English department at a small university. At home, Ji-Yoon is a single mother figuring out how to connect with her adopted daughter, JuJu (Everly Carganilla). The Chair co-creator and co-writer Amanda Peet spoke with Oh about one of their shared goals for the show: puncturing the taboos around motherhood that still exist onscreen. LINDSAY PEOPLES WAGNER
SANDRA OH: One of the things I love about you the most is the way you direct— it’s always straight from your vagina.
AMANDA PEET: You act from your vagina; I direct from my vagina. It’s where creativity is rooted.
S.O.: I have had such a long week. I’m a bit goofy, but honestly, when I think about where I get my power and creativity from to do all of this, that’s where my mind goes.
A.P.: When we met, something we clicked over was the idea of showing a character whose relationship with her daughter is not entirely aspirational. I can’t relate to most of the mothers I see in movies and on TV. We shared the desire to strike a different chord.
S.O.: Correct. I know classically a lot of actresses my age are upset and say, “Oh, I have to play the mother or the wife,” but there is tremendous richness in all of these experiences and relationships.
Bu hikaye New York magazine dergisinin August 2 - 15, 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye New York magazine dergisinin August 2 - 15, 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten