WHEN THE DIRECTOR Robert Eggers announced that his next film, The Northman, would be a loose adaptation of the medieval Icelandic saga that inspired Hamlet, fans knew they were in for an exhaustively researched Viking epic: nasty, brutish, and long. Eggers’s first two films were chamber-piece time capsules. The Witch (2016) takes place in Puritan Massachusetts, while 2019’s The Lighthouse is a psychodrama about turn-of-the-last-century lighthouse keepers. But shooting The Northman across Ireland and in Iceland meant working at a scale he never had before. As Eggers puts it, “We did not have the experience to be making this film.” Besides the painstaking period detail and battle sequences that demanded everything from Alexander Skarsgård, who plays the lead, Eggers’s aesthetic added to the complexity. He and his cinematographer, Jarin Blaschke, prefer long takes, dense with action, to make the audience “feel like the world exists well beyond the limits of the frame,” Blaschke says. If something went wrong, they just had to start again from the beginning. Another hurdle? It was one of the first movies to start production under covid protocols. And they did it all while navigating one more treacherous obstacle: Irish weather.
The Day We Raced Against the Tide
Eggers did not grow up a Viking fanboy. Warriors were a little too macho for a kid who loved history and the theater. As he got older, he says, the “right-wing misappropriation of Viking culture” was an added turnoff. But then he took a trip to Iceland and became fascinated by the landscape. That led him to the sagas, and those led him to making The Northman.
Bu hikaye New York magazine dergisinin April 25-May 8, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye New York magazine dergisinin April 25-May 8, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
