These questions hover over a conversation about gender and power abuse one year after Christine Blasey Ford testified that she had been sexually assaulted by Supreme Court nominee Brett Kavanaugh in high school; two years after investigative journalists published the accounts of women who’d been harassed and assaulted by Harvey Weinstein; three years after Roger Ailes stepped down as head of Fox News after being accused of harassment and coercion by women on his network; 28 years after Anita Hill testified about what she experienced working alongside Clarence Thomas.
What has happened to the people who told their stories has been intense and strange and often difficult. It has included some celebration and relief, sure, but also unwelcome exposure, threats, and thrown drinks and epithets; the undermining of their characters, the misconstruing of their intentions; a realignment of their identities; familial and romantic rifts; money and jobs lost. And through it all, an indifference to these effects from the same public that has used their stories as the raw material of a headline-grabbing, ground- shifting national argument.
WHAT IS THE WORTH, exactly, of stories that are told mostly by women? To judge the worth, we have to be clear about the cost.
Bu hikaye New York magazine dergisinin September 30–October 13, 2019 sayısından alınmıştır.
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Bu hikaye New York magazine dergisinin September 30–October 13, 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
THE BEST ART SHOWS OF THE YEAR
IN NOVEMBER, Sotheby's made history when it sold for a million bucks a painting made by artificial intelligence. Ai-Da, \"the first humanoid robot artist to have an artwork auctioned by a major auction house,\" created a portrait of Alan Turing that resembles nothing more than a bad Francis Bacon rip-off. Still, the auction house described the sale as \"a new frontier in the global art market.\"
THE BIGGEST PODCAST MOMENTS OF THE YEAR
A STRANGE THING happened with podcasts in 2024: The industry was repeatedly thrust into the spotlight owing to a preponderance of head-turning events and a presidential-election cycle that radically foregrounded the medium's consequential nature. To reflect this, we've carved out a list of ten big moments from the year as refracted through podcasting.
THE BEST BOOKS OF THE YEAR
THE YEAR IN CULTURE - BEST BOOKS
THE BEST THEATER OF THE YEAR
IT'S BEEN a year of successful straight plays, even measured by a metric at which they usually do poorly: ticket sales. Partially that's owed to Hollywood stars: Jeremy Strong, Jim Parsons, Rachel Zegler, Rachel McAdams (to my mind, the most compelling).
THE BEST ALBUMS OF THE YEAR
2024 WAS one big stress test that presented artists with a choice: Face uncomfortable realities or serve distractions to the audience. Pop music turned inward while hip-hop weathered court cases and incalculable losses. Country struggled to reconcile conservative interests with a much wider base of artists. But the year's best music offered a reprieve.
THE BEST TELEVISION OF THE YEAR
IT WAS SURPRISING how much 2024 felt like an uneventful wake for the Peak TV era. There was still great television, but there was much more mid or meh television and far fewer moments when a critical mass of viewers seemed equally excited about the same series.
THE BEST COMEDY SPECIALS OF THE YEAR
THE YEAR IN CULTURE - COMEDY SPECIALS
THE BEST MOVIES OF THE YEAR
PEOPLE LOVED Megalopolis, hated it, puzzled over it, clipped it into memes, and tried to astroturf it into a camp classic, but, most important, they cared about it even though it featured none of the qualities you'd expect of a breakthrough work in these noisy times.
A Truly Great Time
This was the year our city's new restaurants loosened up.
The Art of the Well-Stuffed Stocking
THE CHRISTMAS ENTHUSIASTS on the Strategist team gathered to discuss the oversize socks they drape on their couches and what they put inside them.
