Bombast and cynicism, helicoptered in.
YOU PROBABLY ALREADY KNOW whether you like Miss Saigon, the pop-opera retread of Madama Butterfly set against the collapse of the American experiment in Vietnam. If you do like it, by all means see the revival that opened on Broadway in late March; it won’t disappoint. If you don’t, come sit by me.
I needn’t rehash at length the controversy that surrounded the original production, which premiered in London in 1989 before arriving in New York, also at the Broadway Theatre, in 1991. The yellow face casting of Jonathan Pryce, a white actor, as the Engineer, a Eurasian pimp who serves as the story’s cynical emcee, led to protests, an Equity ban, an Equity reversal, and, eventually, a tradition in which the character is now always played by an actor of Asian descent. Currently, it’s Jon Jon Briones, who is Filipino; he’s prodigiously oily where Pryce was subtly unhinged.
Bu hikaye New York magazine dergisinin April 3-16, 2017 sayısından alınmıştır.
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Bu hikaye New York magazine dergisinin April 3-16, 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
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