The Next Move

In modern Singapore, it is easy to overlook the art forms that have upheld tradition and brought communities together. Veterans from three different types of traditional dances share their thoughts on passing the baton on to the next generation, as well as their plans on keeping the traditional dance scene vibrant in a technology-centric city like ours

- Amelia Yeo

GROWING ROOTS

When Santha Bhaskar first joined Bhaskar’s Academy of Dance in 1955 after her marriage to the late KP Bhaskar, who founded the company three years prior, she had to quickly adapt to conducting dance lessons. That did not come easy for the Kerala-born dancer had no teaching experience. “I had no idea how to teach,” she notes in a Zoom interview with granddaughter Malini Bhaskar. “Learning dance and music was a way of life for me growing up. I never liked it, but my father wanted me to learn the art form and thought I was quite talented at dancing. When I came to Singapore and was asked to teach [dance] by my late husband, I simply performed in front of my students and asked them to learn through imitation.”

Santha teaches Bharatanatyam, which is the oldest classical Indian dance form that originated in the southern Indian state of Tamil Nadu. The dance movements are characterised by rhythmic footwork, bent legs, and highly stylised gestures to convey a dramatic mood or spiritual narrative. Over the next 10 years, she commuted between Singapore and Malaysia to conduct lessons in order to make a living. She shares, “Singapore was still young and the population was very small so we had to travel to Malaysia to conduct dance lessons for a fee of $5 per head every month.” Today, Santha, who received the Cultural Medallion in 1990 for her contributions to dance, refuses to stop teaching and still is the artistic director of the company, which is now known as Bhaskar’s Arts Academy (BAA).