‘‘When I left the band after S.F. Sorrow, I thought we had made a really good album,” says guitarist Dick Taylor. “But it wasn’t about disappointment over the sales, which is what people think. ‘Oh did you leave because it should have been a hit?’ In fact, I left before it hadn’t started not selling, when it could still have been a hit.
“I left because I’d made an album I was really proud of, and I didn’t think we’d ever improve on it. And that’s how I feel about the new one. I’m happy about Bare as Bone, Bright as Blood being our last one, because I’m very pleased with this one, as well.”
It’s six months since Phil May, founder member and vocalist with The Pretty Things, passed away (on May 15), and Taylor still finds it difficult to keep the emotion out of his voice as he recalls his fallen friend. Because they were friends, had been since they met at Sidcup Art School, in 1961 or so.
Taylor was already in a band, a little outfit called the Rollin’ Stones (the “g” came later); he quit around the same time he and May moved up to the Central School of Design and Art, and decided to form their own band. They called it The Pretty Things because… they weren’t.
Bu hikaye GOLDMINE dergisinin January 2021 sayısından alınmıştır.
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Bu hikaye GOLDMINE dergisinin January 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
THE GRAND POOBAH!
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Ten Years After MORE THAN 50 YEARS LATER
DRUMMER RIC LEE TALKS TO GOLDMINE ABOUT A TEN YEARS AFTER DELUXE EDITION OF THE A STING IN THE TALE ALBUM AND HIS RECENTLY RELEASED MEMOIR, FROM HEADSTOCKS TO WOODSTOCK.
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WITH THE RERELEASE OF THEIR DEBUT ALBUM, SHAKE YOUR MONEY MAKER, THE BLACK CROWES FLY HIGH BY REFLECTING ON THEIR ROOTS.
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Q&A WITH JANIS' SIBLINGS, LAURA AND MICHAEL JOPLIN
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