Stage Fright, the third studio album by The Band, has grown over time to be regarded by some as their most impressive studio release. But at the time, it was often misunderstood by those in the media. It was recorded in 1970 at the Woodstock Playhouse after a concert the group had offered to host as a peace offering to the town fell apart. They decided to take the batch of songs they had intended to debut at that show and record their next album, on the Playhouse stage, without an audience. At this point the brotherhood was being tested. The musicians were no longer living together in Big Pink, and the demons that would ultimately undo some of them began to emerge more often. To make the recording process more complex, they also decided to take a breather from John Simon, who had produced the first two albums, and take those duties on themselves. That meant bringing in Todd Rundgren and Glyn Johns to engineer and mix the record. Those results were uneven, and in the end, band member Robbie Robertson jumped in to save the day and preserve a record that truly is one for the ages.
Now as Stage Fright turns 50, Robert son and collaborator Bob Clearmountain have revisited the record, remastering it, resequencing its tracks and adding stunning live material from the Calgary Hotel and from the stage at the Royal Albert Hall in London. In total, the package presents a musical moment that defines the group’s inherent greatness and opens a view into how remarkable their musical connection to each other really was.
Bu hikaye GOLDMINE dergisinin March 2021 sayısından alınmıştır.
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Bu hikaye GOLDMINE dergisinin March 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
THE GRAND POOBAH!
SINCE THEIR INCARNATION in the early 1970s, the band Poobah have recorded over a dozen albums with various lineups, while openi ng for some of rock and roll’s biggest names.
THE MAKING OF PEARL
JANIS JOPLIN IN 1970: A NEW B AND AND THE MAKING OF HER CLASSIC ALBUM, PEARL.
There Must Have Been Something in the Water
If The Beatles never happened, if the British invasion never occurred, then music fans around the world would more than likely never have been exposed to some of the finest white blues singers that the U.K. produced between 1964 and 1970.
The SAGA Continues
SAGA WERE NOT THE ONLY band to make an album during the pandemic — far from it.
Ten Years After MORE THAN 50 YEARS LATER
DRUMMER RIC LEE TALKS TO GOLDMINE ABOUT A TEN YEARS AFTER DELUXE EDITION OF THE A STING IN THE TALE ALBUM AND HIS RECENTLY RELEASED MEMOIR, FROM HEADSTOCKS TO WOODSTOCK.
SUZI QUATRO IS BACK!
WITH A NEW ALBUM, THE DEVIL IN ME, THIS PIONEERING FEMALE ROCKER REMAINS AS DRIVEN AND DETERMINED AS EVER
RE-SHAKE & RE-MAKE
WITH THE RERELEASE OF THEIR DEBUT ALBUM, SHAKE YOUR MONEY MAKER, THE BLACK CROWES FLY HIGH BY REFLECTING ON THEIR ROOTS.
LOVE FOR PEARL
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Q&A WITH JANIS' SIBLINGS, LAURA AND MICHAEL JOPLIN
Q&A WITH JANIS’ SIBLINGS, LAURA AND MICHAEL JOPLIN
CHERISHING CITY TO CITY A timeless classic by GERRY RAFFERTY
It’s early 1978 and the new single by Scottish singer-songwriter Gerry Rafferty, “Baker Street,” is blasting out on the airwaves on my small transistor radio.