Jon Herington Has Performed with Steely Dan since 1999, and founders Walter Brecker and Donald Fagen are far from slouches when it comes to evaluating guitar solos. (To quote Bill Murray from Stripes: “That’s the fact, Jack!”) But as delightfully terrifying as that gig can be for a guitarist, Herington is definitely up for the challenge, and in addition to Steely Dan, his exquisitely crafted solos have graced projects for Boz Skaggs, Bette Midler, Madeleine Peyroux, and others. He has also released five albums as a solo artist. His latest, Adult Entertainment, is what he calls “pop music for grownups,” and many of his solos pay tribute to the players who inspired him as a youngster.
Your last album, Time On My Hands, presented a singular guitar sound, but Adult Entertainment rocks a lot of different solo tones.
Because this album is full of allusions to the music of my youth, I abandoned a set formula and went for sounds that worked with each individual song. I loved that Stones records back in the day would have a country tune, a Motown cover, some Chicago blues, and a pop song, and nobody blinked. The records hung together because of the way the band sounded. So I used my Larry Wysocki Tele-style on “Little Big Shot” as a nod to Jimmy Page. “Blacklisted in Bougieville” is my take on the Beatles’ three-guitar trade-offs during “The End,” and “No Way No How Not Me” has a Monkees’ vibe—when they used to do Carl Perkins-style stuff—with the Tele-style in the first half of the solo and a Gretsch in the last half.
Did the sounds you chose while recording stay put, or did you re-amp tones in the mix?
Bu hikaye Guitar Player dergisinin January 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Guitar Player dergisinin January 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
How I Wrote..."Year of the Cat"
AI Stewart reflects on his beguiling hit, some 10 years in the making.
UAFX
Teletronix LA-2A Studio Compressor
LINE 6
POD Express
MAN OF STEEL
He brought the Dobro to centerstage with his dazzling talent. As he drops his first album in seven years, Jerry Douglas reflects on his gear, career and induction in the Bluegrass Hall of Fame.
HIGH TIME
The new MC5 album took more than 50 years to arrive. The band members have all passed on, but the celebration is just beginning.
58 YEARS OF GUITAR PLAYER
As Guitar Player moves full-time to its online home, we look back at some of its greatest stories in print.
DRAGON TALES
In a Guitar Player exclusive, Jimmy Page sheds light on the amplifiers behind his Led Zeppelin tone and how they live again in his line of Sundragon signature amps.
CLOSER TO HOME
Rehearsal space, studio, vessel and abode Diego Garcia's boat is the home base for his new album, as well as his musical life as the seafaring Spanish guitarist Twanguero.
Funk Noir
With The Black Album, Prince made his greatest-and most infamousmusical statement.
Medium Cool
Striking the middle ground between its Thinline brethren, Gibson's ES-345TD remains a versatile, if underrated, gem.
