IT IS AN EXTRAORDINARY STORY, and as Jimmy Page puts it, quietly but firmly, only he is qualified to tell it. He has a new book from Genesis Publications, titled simply Jimmy Page: The Anthology. It is what he calls “an autobiography with photographs,” and a “companion volume” to 2010’s Jimmy Page by Jimmy Page. The focus is on his music and guitars, his artistry and evolution as a player. But there is also the sense, as he explains it, that Page is setting the record straight, in answer to the many unauthorized biographies of himself and his band, Led Zeppelin.
“There’s so much mythology about me,” Page says. “In all those other books, because people don’t have all of the information — they make things up. So at least with my book I could be really authoritative, because I was the one who knew what happened. So, let’s do it. Let’s start telling the stories as they really are.”
Speaking to us from his home in London, where he has remained since the outset of the global pandemic, Page is in a relaxed mood, happy to talk about every aspect of his life’s work: the groundbreaking music he made, first with the Yardbirds and then with Led Zeppelin; and the tools of his trade, iconic guitars such as the Black Beauty (more on that later), and the amps and effects with which he explored new sounds.
Bu hikaye Guitar World dergisinin March 2021 sayısından alınmıştır.
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Bu hikaye Guitar World dergisinin March 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
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